The important thing to remember when gathering evidence is that the more evidence the better - that is, the more evidence you gather to demonstrate your skills, the more confident an assessor can be that you have learned the skills not just at one point in time, but are continuing to apply and develop those skills (as opposed to just learning for the test!). Furthermore, one piece of evidence that you collect will not usualy demonstrate all the required criteria for a unit of competency, whereas multiple overlapping pieces of evidence will usually do the trick!
From the Wiki University
What evidence can you provide to prove your understanding of each of the following citeria?
Confirm scope of soundtrack project |
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Evidence:
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Liaise with relevant personnel to confirm production values and expectations in relation to the soundtrack |
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Completed |
Evidence:
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Confirm role of all personnel involved in compiling the soundtrack for a production, including own role |
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Completed |
Evidence:
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Identify factors that may affect the compilation of the soundtrack and plan own work accordingly |
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Completed |
Evidence:
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Determine technical and musical requirements |
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Evidence:
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Confirm studio arrangements to ensure that all resources are sufficient to meet agreed technical requirements |
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Evidence:
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Obtain a shot list and music components for the soundtrack and map musical events and duration to film shots |
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Evidence:
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Assess whether any specific equipment is needed to produce required music score in line with the shot list |
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Evidence:
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Ensure that required equipment is available on time to meet production requirements |
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Completed |
Evidence:
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Check which music components are live and which are to come from other sources and ensure that all components will be available in line with production schedules |
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Evidence:
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Compile soundtracks for moving image sequences |
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Evidence:
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Determine moving image sequences that require theme, incidental or other music |
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Evidence:
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Establish routines with the director and film editor for viewing, assessing and discussing shot material |
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Evidence:
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Source, secure and prepare music components for the soundtrack ensuring that copyright requirements are met |
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Evidence:
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Monitor the acoustic quality of the soundtrack to consistently achieve the required sound |
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Evidence:
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Incorporate feedback from others on work in progress as required |
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Evidence:
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Synchronise music components of soundtracks to moving image sequences |
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Evidence:
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Identify and observe correct frame rate for video or film to ensure synchronisation between sound and images |
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Evidence:
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Match music components to screen images or sequences |
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Completed |
Evidence:
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Confirm with relevant personnel that the quality of music/sound components aligns with overall production concept and style |
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Completed |
Evidence:
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Modify settings or sound quality of musical components in soundtracks according to feedback and other sound elements as required |
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Evidence:
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Ensure the integrity of timing, sequencing, sound quality and integration with other elements of soundtracks |
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Evidence:
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Present completed soundtrack to relevant personnel in line with production requirements |
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Evidence:
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Evaluate work |
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Evidence:
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In consultation with relevant personnel identify aspects of the process of compiling music for a soundtrack that worked well and those that could be improved |
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Evidence:
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Evaluate the quality and success of the music soundtrack in meeting production requirements and planned outcomes |
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Evidence:
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Evaluate own role in operations and note areas for improvement |
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Evidence:
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Compare work against previous compositions to assess innovation and the development of techniques and ideas |
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Evidence:
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Provide feedback to team members on their performance as required |
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Evidence:
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Document evaluation of operations in line with enterprise procedures and use results of evaluation to improve own work practices |
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Completed |
Evidence:
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